|  
  
  
  
   |  
   
  
   FEEDFORWARD - Angel of History
 October 
        22, 2009- April 5, 2010
 
   
   "Sharp Chic - über die Anziehungskraft des Kristallinen" 07.02. - 19.04. 
        Freiraum/quartier21, MuseumsQuartier Wien, Wien
 
  
  ENTER ACTION Digital 
        Art Now 7 February – 26 April 2009 ARoS Aarhus Kunstmuseum
 
  
  Glanz und 
        Verderben, Kunsthaus 
        Mürz
 7.11.08-29.3.09
 
  
  macghillie - just a void, Cabaret Voltaire Zurich, 25.11-29.11.08
 
   
   INKONSTRUKTION III, Stiftung Biesenthal, Berlin; 05.07.08 - 14.09.08
 
   
  NEWBORN undeliverable?
 Kunsthof Zürich June 5-7, 2008
 
  
  SYNTHETIC TIMES - MEDIA ART CHINA 2008 / june 5 -july 5 2008
 
  
  Vigilancia y control , El Centro de Arte La Regenta
 07.03. - 20.04.2008
 
  
  Transmediale 08: CONSPIRE
 Ausstellung 30.01 - 24.02.08
 
  
  
   
  
  
  INVISIBLE/ 
        INVINCIBLE A TICKET TO NOTHINGNESS 
  
  SHIFT Basel.
 
  
  
  Sie 
        nennen es Realität HMKV in der PHOENIX Halle Dortmund, 6. - 21. Oktober 
        2007 
  
  
  Im 
        Westen nur Neues Von der ZHDK Zürich 
  
  
  The 
        BlackBenz Race Inauguration Parade, Schiphol, The Hague 13.04 
  
   
  Translocal 
        Practices 6.6/7.6. 
  
  KNOWBOTIC RESEARCH - Room
 for Manoeuvre four vehicles: white_sovereign, passion_cleaner, tiger_stealth, 
        blackbenz October 5 - 27, 2006,
  Skuc 
        Galerija, Ljubljana,Slovenia 
  
   
  Wilhelm Lehmbruck 
        Museum 10. 09. 06 - 28. 01.07 "Was ist Plastik? 100 Jahre - 100 Köpfe. 
        Das Jahrhundert moderner Skulptur" 
  
  Wilhelm Lehmbruck 
        Museum 30.4.06 "Designing Truth" 
  
  
  Duisburger Akzente 29.4. Publicity- Kunst im Öffentlichen
 
  
   
  11.2005 
        [performance: PASSION 5] November 3rd, 8 pm; 
  lateshift. Puls 5 Zürich
 related to PASSION5: 1may.ch
 
  
  10.2005; 
        Stadt.kunst.: 
   "BlackBenz" - an artrace from Zurich to Prishtina and retour
 
  
  04.2005 [exhibition: naked bandit] "Open 
        nature" 
   Date : April 29(Fri.) -July 3 (Sun.) , 2005 Venue : NTT InterCommunication 
        Center [ICC] 2005 Gallery A, B, 5F Lobby, Entrance Lobby
 open Nature" focuses on the "nature" infiltrated in our daily lives through 
        digital information environments, and aims to redefine it as an "open" 
        concept that clears the way for a broader range of relationships between 
        art and technology.
 
  
  01.2005 
        [exhibition: naked bandit] 
        MAPPING NEW TERRITORIES Schweizer Medienkunst International 
  Knowbotic Research, Marlene McCarty, 56kTV-Bastard Channel, N3krozoft 
        Mord
 30. Januar - 27. März 2005
 In Zusammenarbeit mit dem Bundesamt für Kultur/sitemapping.ch sowie der 
        Basler Institution [plug.in] präsentiert die Neue Kunst Halle St. Gallen 
        vier Projekte zeitgenössischer Schweizer Medienkunst. Installationen und 
        Performances ergründen neue Territorien im Ausstellungsraum. Die Ausstellung 
        wird vom Symposium «Exposing Media Art» am 12.03.2005 ergänzt, das Fragestellungen 
        innerhalb des neu entstandenen Bereichs Medienkunst diskutiert.
 
  
  02.2005 [exhibition:naked bandit; Vol III]: 
  [Exhibition from February, 4 to 8] Knowbotic Research's ‘naked bandit/here, 
        not here/white sovereign 3.0’ focuses on the mechanisms of detainment 
        of so-called ‘unlawful enemy combatants’ who can be regarded 
        as ‘here’ and, at the same time, ‘elsewhere’, 
        not anymore on the territory of the nation state, and thus banned, stripped 
        off from the legal framework which the nation state guarantees (‘naked 
        bandit’). The project investigates the mechanisms of such an inclusive 
        exclusion and the inherent formations of power. By remodelling these specific 
        formalisms in software code the artists are able to offer different possible 
        scenarios for the liberation of the ‘naked bandit’. It's obvious 
        that the solution cannot be applied on the prison situation. However this 
        tension of the hypothetical is crucial to the aesthetics of the work.
 
  
 
  10.2004 [exhibition:naked bandit; Vol II]: 
  Orléans, Frankreich
 6rd Orléans international architectural conference
 
  -> archive
 
  
  
  
 
 
 
 |  
  
  
  
   |  
    
  bio/bibliography 
         >e 
        / >d 
  
  material_current projects 
  
  download area 1 
  
  download area 
        2 
  
  texts 
    
  
   NEWBORN undeliverable,June 08
 
   
  NAMOC, Bejing, June 2008
 
  
  BlackBenzRace Basel;, October 2007
 
  
  BlackBenzRace Rotterdam; april 2007
 
  
  Skuc Galerija Ljubljana; october 2006
 
  
  Stealth_Tiger ; PubliCity Duisburg; april 2006
 
  
  Stealth_Tiger ; PubliCity Duisburg; april 2006
 
  
  
 
  Passion5 Zürich; november 2005
 
  
 
  ICCTokio, april 2005
 
 
   ICC Tokio, 
        transcoding naked code, in collaboration: hitotzuki; 
        April 2005
 
  
  
 
  Kunsthalle St. Gallen, January 2005
 
 
  
  
 
  www.boatshop24.com
 
 
   
   
  
  knowbotic 
        research has a professorship at the Vertiefung 
        Mediale Künste / Department of Media and Art, Zürcher Hochschule 
        der Künste
 
   http://vmk.zhdk.ch/php/home.php
 
  
  
  
  
 
 
 |  
  
  
  
   |   
  
 
   huwara_checkpoint.exe
 
 
 
 
 
  macghillie 
        - just a void, testcase 
        2008
 
 
  INVISIBLE/ 
        INVINCIBLE A TICKET TO NOTHINGNESS, Curators Without Borders, 
        2007 
 
  
   My 
        BLACK CAT, testcase 
        Aros Museum Aarhus 2009
 
 
  > 
        BlackBenzRace, testcases 2007-2008
 
 
  > NEWBORN - undeliverable? Testcase 
        Hardbrücke Zurich 08
 
 
  
  enter> 
        test case realities: My BLACK CAT= 2009 >>>>>>
 
  enter> test case realities: macghillie - just a void = 
        2008 >>>>>> 
        blog 
  enter> test case realities: NEWBORN: undeliverable? 
        = 2008 >>>>>> 
        blog
 
  enter> 
        test case realities: BLACKBENZ RACE= 2007 
        >>>>>> 
        blog
 
  enter> 
        transcoding the clandestine: stealth_TIGER = 2006
 
  enter> Room for Manoeuver= 2006 >>>>>> 
        info
 
  enter> transcoding: PASSION5 = 2005 >>>>>>info
 
  enter>free 1MAY_ringtones
 
  enter> transcoding 
        sovereignty: NAKED BANDIT, 2004/05 >>>>>> 
        info
 
  enter> transcoding 
        security: minds of concern:
 NY, Seoul, Barcelona 2002-2004 >>>>>> 
        info
 
  enter> 
        Mental ImMigration = 2001 >>>>>> 
        info
 
  enter> 
        eventmodul: anonymous. databody. muttering = 2001 >>>>>> 
        info
 
  enter> crack it! - connective 
        force attack = 2000 >>>>>> 
        info
 
  enter> lavoro immateriale 
        - time to back up! = 2000 >>>>>> 
        info
 
  enter> 
        info to series: IO_dencies questioning urbanity = 1997/99 >>>>> 
        > info
 
  enter> 
        IO_dencies Tokyo = 1997 
        >>>>>> site
 
  enter> 
        IO_dencies São Paulo = 1998 >>>>>> 
        site
 
  enter> 
        IO_dencies Ruhrgebiet = 1999 >>>>>> 
        site
 
  enter> 
        IO_dencies lavoro immateriale = 2000 >>>>>> 
        site
 
  enter> DWTKS 
        - Dialogue with the Knowbotic South = 1994 - 97 >>>>>> 
        info
 
  enter> Anonymous 
        Muttering = 1996 >>>>>> 
        info
 
  enter> TT 
        - Turing Tuning = 1994 >>>>>> info
 
  enter> SMDK - 
        Simulationsraum Mobiler Datenklänge = 1993 >>>>>> 
        info
 
  enter> 
        Ping Operation Pong = 1991 >>>>>> 
        info
 
  
  
    
  enter> TRANSLOCAL_PRACTICES
 enter> 
        Enacting Timebased Archive = 1999 - 2001
 enter> eSCAPE/Esprit 
        Projekt 25377 IO_dencies questioning urbanity
 enter> 
        Hypermediale Bild-, Text-, Video-Archive zur Dokumentation
 komplexer 
        Artefakte der Bildenden Kunst, Universität Lüneburg
 enter> 
        mem_brane laboratory = 1995 - 1998 
        >>> > site
 
  
  
   
  
  media_architecture> Nachrichtenturm = 1998
 print_projects-> 
        nonlocated_online, AM, naked bandit
 
 
  
 
 
  Tiger_ 
        Stealth_Black_Transport_Berlin_Ljubljana 
        08
 > enter: Galerija Skuc, Ljubljana, October 5 - 27, 2006 Knowbotic Research 
        -
 'Room for Manoeuvre' four vehicles: white_sovereign, passion_cleaner,
 tiger_stealth, blackbenz Exhibition opening: Thursday, October 5, 2006, 
        20.00 h
 
  BLACKBENZ RACE- 
        Projektentwicklung im Rahmen des Forschungsprojekts
 Kunst Zürich Öffentlichkeit, www.stadtkunst.ch, 
        2005
 
   The BlackBenz Race is a semi-fictional car race outlined as a public art 
        inter-
 vention in Zurich and as well into the transnational Albanian migration 
        space in
 Europe. Over the last years the Albanians in Switzerland have been discriminated
 and politized in the local mass media as speeders/racers that endanger 
        public
 order. Knowbotic research, the theoretician Felix Stalder and three Albanian
 social and asyl workers, Arben Gecai, Osman Osmani and Faton Topalli, 
        all living
 in Zurich, are trying to open out of this local discrimination practice 
        a space for
 an translocal experimental art project: A trip with black cars through 
        the Alban.
 migrant routes, starting and returning to Zurich which will manifest visually 
        as a
 car race i.e. this quite ordinary car trip will be designed, documented 
        and
 mediatized in the style of existing illegal car races through Europe. 
        The race
 participants, Albanian migrants and Swiss artists will transmit and publish 
        movies
 on a "racing site" in the internet, report via sms text messages and "race" 
        infos
 out of the cars to LED displays in the city of Zurich and to local swiss-albanian
 newspapers.
 
  
  
  
  PASSION5 
        [Performance] 2 - 3 November, Puls 5, Zürich
 
  
 The 
        intervention Passion5 by Knowbotic Research is an atmospheric installation 
        about different forms of passion: the passion of political activism in 
        street
 protests, and the passion of scientific research, articulating playful 
        curiosity
 with sytems of public order.
 Passion5 reflects the current state of political agency, and its limits. 
        Slogans
 and chants from street demonstrations mutate into pure sounds, transmitted 
        by
 an urban street cleaning vehicle. Simultaneously, an engineer is trying 
        to build a
 flight robot that will navigate autonomously, tracking the indoor space. 
        The
 robot is an ambiguous mobile scanner, guarding the space, controlling
 movements and behaviour, attracting empathy and attention.
 
 
 
  
  
  
 
 |  
  
  
  
   |  
  
  Enter Action Digital Art Now, Catalogue Aros, Aarhus Kunstmuseum 2009
 
  
  Kunst und Öffentlichkeit Kritische Praxis der Kunst im Stadtraum Zürich 
        Herausgegeben von Christoph Schenker und Michael Hiltbrunner, JRP|Ringier 
        Zürich 2007
 
  
  Synthetic Times, Catalogue, Editor: Zhan Gha, Beijing 2008
 
   
  13 Positionen Mediale Künste Zürich 2008; ISBN 978-3-85881-210-0
 
   
  Is it now?
 Gegenwart in den Künsten, Hg. Adorf, Fink, Schade, Zürich 2007
 
  
 
  late shift, Kunst als symbol. Terrain
 ed. Jetzer, Spinelli; 2006 mit Buetti, Steiner/Lenzlinger, Regli, Signer, 
        krcf
 
 
  
 
  Room for Manoeuvre, ed. krcf, broeckmann; catalogue, Skuc gallery 2006
 
  
 
  Designing Truth, Stiftung Wilhelm Lehmbruck, Duisburg 2006
 
  
 
  Under Fire.2: The Organization and Representation of Violence Edited 
        by Jordan Crandall Rotterdam: Witte te de With, 2005 ISBN 90-73362-65-2
 http://oud.wdw.nl/ENG/forum/
 research/crandall/fr_crandall.html
 
  
 
  download 
        the pdf file.
 Transcoding the dilemma - naked
 bandit
 
  , 
        ed.Knowbotic Research 2005 Kunsthalle St. Gallen, 
        http://www.k9000.ch/shop_d.html 
  2. Sarai READER 05: BARE ACTS Editors: Monica Narula, Shuddhabrata Sengupta, 
        Jeebesh Bagchi + Geert Lovink Guest Editor: Lawrence Liang Published by 
        the Sarai Programme, Centre for the Study of Developing Societies, Delhi, 
        2005 [cc] Produced and Designed at the Sarai Media Lab, Delhi ISBN 81-901429-5-X 
        584 pages, 14.5cm X 21cm Paperback: Rs. 350, US$ 20, Euro 20
 
   The complete text of 'Bare Acts', like the entire contents of previous 
        readers, is available for free browsing and download as pdf files at http://www.sarai.net/journal/
 reader5.html
 For Purchase, Distribution and Other Enquiries, mail to - publications@sarai.net 
        or, contact - Publications Sarai, Centre for the Study of Developing Societies 
        29, Rajpur Road, Delhi 110054, India Tel :
     (+91) 
        11 2396 0040 http://www.sarai.net E mail : dak@sarai.net Distributors: 
        Seagull Books, Delhi & Kolkata (in India) and Autonomedia, New York 
        (USA)
 
   
  Herausgeber: [plug.in], Bundesamt für Kultur, Neue Kunsthalle St. Gallen 
        Mapping 
        New Territories Schweizer Medienkunst International, Art Multimédia 
        Suisse International, Swiss Media Art International Mai 2005, 280 Seiten, 
        20 Farbabbildungen, broschiert, deutsch/englisch/französisch ISBN: 3-85616-238-0 
        SFr. 49,00 / Euro 32,00
 
 
   
  Taschenverlag 2006, Tribe, Reena
 Artists featured: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, 
        Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, 
        Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Knowbotic Research, 
        Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs 
        Media Collective, RTMark, and John F. Simon Jr.
 
 
  
  aRt&D: Research and Development in Art (paperback, art&d)lays 
        open a new investigative field of art that emerged in the last few decades 
        as a result of media and technology influences. It is the first book ever 
        published that is entirely dedicated to artistic research and development.
 
  
   RECK, HANS ULRICH. Kunst als Medientheorie. Vom Zeichen zur Handlung. 
        München 2003. 661 S. mit 75 Abb., Bibliographie, Index, brosch. Reck macht 
        die Umrisse einer Kunst deutlich, die an und durch sich selber Kunst- 
        und Medientheorie ist. In zwingender Weise wird von hier aus eine neue 
        Perspektive auf zahlreiche Aspekte der bisherigen Geschichte der bildenden 
        Kunst erkennbar
 
   
  
 Designed 
        by Bart Lootsma, this catalogue gathers thirty teams of international 
        architects around the new stakes of urban space: globalization, drifts, 
        smart mobs, new technologies…
  
 |